The High Note, a romantic comedy set in the world of the music industry The High Note, director Nisha Ganatra first-time screenwriter Flora Greeson try to craft a movie that blends song drama and romantic comedy, but don’t quite nail the stability. Still, the film follows among the conventions of romantic comedies and offers a – slightly – new angle, giving it a few freshness.
The High Note follows Maggie Sherwood (Dakota Johnson), an aspiring music producer who spends her days operating as the personal assistant to famous person Grace Davis (Tracee Ellis Ross). When Grace’s supervisor Jack (Ice Cube) tells Maggie she needs to have artists in her roster to be a producer, she sets out to locate an artist of her own. She comes across young singer-songwriter David Cliff (Kelvin Harrison Jr.) who she believes has the talent to make it big in the industry. But as Maggie gets more invested in producing David’s music and distracted from her paintings as Grace’s non-public assistant, it stays to be seen if she’ll be able to balance everything in her life and ultimately attain her desires.
There’s some thing to be stated about the consolation in familiar stories, and The High Note definitely taps into familiar issues of ambition, romance and love. Hollywood has explored the tale of a young up-and-comer attempting to carve out their area in a frightening industry, often mixing that movie with romance. The High Note follows this identical trajectory, with Maggie a devoted fan of music who just needs her shot to prove herself.
It’s a acquainted story because it’s a Nice one, and Greeson’s script hits all of the right beats, despite the fact that it would not dig too deep into any of the characters. It does take a touch longer for The High Note to get going, for the actual story to kickstart, however as soon as it does, Greeson’s script supplies a satisfying (if, in positive methods, bland) movie revel in.
Perhaps the maximum interesting component of The High Note is its music, both the soundtrack of conventional songs and its original numbers written for Ross and Harrison Jr. The High Note is, like Maggie herself, extra invested and in love with tune than something else. But to the film’s credit score, it supplies masses of wonderful music to returned up its dedication to the industry.
Ganatra’s movie additionally lets viewers enjoy the music, lingering on Maggie as she listens to one among Grace’s live album tracks she’s working, and uses the music to emphasize the feelings of behind the story. The result is an audio spectacle, but one that drags a bit in among every of the massive musical beats.
The High Note is comfort-meals cinema at a time when audiences want comfort. It’s not the maximum imaginitive or sparkling romantic comedy, nor does it tell the most unique tale, even set in the music industry. But it hits all of the proper story beats and promises sufficient individual development for the finishing to experience satisfying.
The soundtrack is arguably the great move about The High Note, but for a movie approximately music, it really is par for the direction. And thankfully The High Note delivers the richness and intensity lacking within the film’s script in the movie’s soundtrack, growing a compelling audio enjoy even if the characters and storyline aren’t as developed as they could be. In the end, audiences won’t go wrong with checking out The High Note at home, particularly any viewers who’re already keen on rom-coms and/or tune dramas.